Skip to main content
Notes on Mortality:
https://www.theguardian.com/books/2017/aug/13/every-third-thought-robert-mccrum-extract-death
13 August 2017, Robert McCrum

A man recounts his brush with death and how he came to terms with his mortality.

Important article to consider


Comments

Post a Comment

Popular posts from this blog

Analysing Nerve (2016)

NERVE Nerve (2016) is an American techno-thriller adventure film directed by Henry Joost and Ariel Schulman, written and produced by Jessica Sharzer, based on the 2012 noel of the same name by Jeanne Ryan. When Jeanne Ryan was asked what the inspiration for Nerve was? She said “the spark came while watching my niece on her phone and seeing how seamlessly she navigated between the real world and her virtual one. That combined with what I was seeing on reality TV and how much people were divulging on social media got me thinking there could be a fun book idea in all of the above”. Analysing scenes: Tattoo scene: Throughout the film there is a colour palate of neon colours which is also very present in this scene. As soon as Vee (Emma Roberts) and Ian (Dave Franco) enter the tattoo parlour the soundtrack song gets faster to reflect the adrenaline Vee is feeling while doing her dare. Whereas, the entrance to the tattoo parlour is lit up neon blue to reflect how calm an...
Post a Comment
Read more

Research into Mixing Colour Temperatures

Mixing colour Temperatures The use of different colour temperatures in film can have endless great effects on a shot. Each light source, regardless of source, contains colour, and depending on a camera’s effectiveness with white balance, that colour can be revealed. Those colours can be used as subtle emotional and narrative cues to drive a story. The colour of light chosen, will have an emotional impact on the viewer. An audience will most often relate blue light as cooler and sad, while yellow/orange light tends to imply heat, vibrancy and even happiness. Mixing these colour temperatures can be a great way to manipulate these psychological effects and add complexity to a shot. While the subject’s skin tones should primarily stay a single colour, adding a contrast emotion can build a sense of dimension and emotion to a shot. The clash of both tungsten and a cooler blue is shown to work beautifully in James Cameron’s 2001 film Terminator 2. It represents the heat of the mome...
Post a Comment
Read more